Monday, September 14, 2015

10 PARADOXICAL TRAITS OF CREATIVE PEOPLE

Finally an article that really clarifies a lot things for me as a creative soul.  I understand now a lot better why I do the things I do.

10 PARADOXICAL TRAITS OF CREATIVE PEOPLE

CREATIVE PEOPLE ARE HUMBLE AND PROUD. CREATIVE PEOPLE TEND TO BE BOTH EXTROVERTED AND INTROVERTED. CREATIVE PEOPLE ARE REBELLIOUS AND CONSERVATIVE. HOW CREATIVE ARE YOU?
Editor's Note: This is one of the most-read leadership articles of 2013. Click here to see the full list.
I frequently find myself thinking about whether I am an artist or an entrepreneur.
I am simply trying my best to create my own unique path.
It is safe to say that more and more entrepreneurs are artists, and artists of all kinds are entrepreneurs. And the trend is only on the rise as all things (art, science, technology, business, culture, spirituality) are increasingly converging.
Creativity is the common theme that drives both entrepreneurs and artists alike. But creative people are often also paradoxical.
Over this past Labor Day weekend, I found myself reading excerpts from distinguished professor of psychology and management Mihaly Csikszentmihalyi’s(pronounced me-HIGH chick-sent-me-HIGH-ee) seminal book Creativity: The Work and Lives of 91 Eminent People (HarperCollins, 1996).
He writes:
"I have devoted 30 years of research to how creative people live and work, to make more understandable the mysterious process by which they come up with new ideas and new things. If I had to express in one word what makes their personalities different from others, it's complexity. They show tendencies of thought and action that in most people are segregated. They contain contradictory extremes; instead of being an individual, each of them is a multitude."
Mihaly describes ten traits often contradictory in nature, that are frequently present in creative people. In Creativity, Mihaly outlines these:

1. Creative people have a great deal of physical energy, but they're also often quiet and at rest.

They work long hours, with great concentration, while projecting an aura of freshness and enthusiasm.

2. Creative people tend to be smart yet naive at the same time.

"It involves fluency, or the ability to generate a great quantity of ideas; flexibility, or the ability to switch from one perspective to another; and originality in picking unusual associations of ideas. These are the dimensions of thinking that most creativity tests measure and that most workshops try to enhance."

3. Creative people combine playfulness and discipline, or responsibility and irresponsibility.

But this playfulness doesn't go very far without its antithesis, a quality of doggedness, endurance, and perseverance.
"Despite the carefree air that many creative people affect, most of them work late into the night and persist when less driven individuals would not. Vasari wrote in 1550 that when Renaissance painter Paolo Uccello was working out the laws of visual perspective, he would walk back and forth all night, muttering to himself: "What a beautiful thing is this perspective!" while his wife called him back to bed with no success."

4.Creative people alternate between imagination and fantasy, and a rooted sense of reality.

Great art and great science involve a leap of imagination into a world that is different from the present.

5. Creative people tend to be both extroverted and introverted.

We're usually one or the other, either preferring to be in the thick of crowds or sitting on the sidelines and observing the passing show. Creative individuals, on the other hand, seem to exhibit both traits simultaneously.

6. Creative people are humble and proud at the same time.

It is remarkable to meet a famous person who you expect to be arrogant or supercilious, only to encounter self-deprecation and shyness instead.

7. Creative people, to an extent, escape rigid gender role stereotyping.

When tests of masculinity and femininity are given to young people, over and over one finds that creative and talented girls are more dominant and tough than other girls, and creative boys are more sensitive and less aggressive than their male peers.

8. Creative people are both rebellious and conservative.

It is impossible to be creative without having first internalized an area of culture. So it's difficult to see how a person can be creative without being both traditional and conservative and at the same time rebellious and iconoclastic.

9.Most creative people are very passionate about their work, yet they can be extremely objective about it as well.

Without the passion, we soon lose interest in a difficult task. Yet without being objective about it, our work is not very good and lacks credibility. Here is how the historian Natalie Davis puts it:
"I think it is very important to find a way to be detached from what you write, so that you can't be so identified with your work that you can't accept criticism and response, and that is the danger of having as much affect as I do. But I am aware of that and of when I think it is particularly important to detach oneself from the work, and that is something where age really does help."

10. Creative people's openness and sensitivity often exposes them to suffering and pain, yet also to a great deal of enjoyment.

"Perhaps the most important quality, the one that is most consistently present in all creative individuals, is the ability to enjoy the process of creation for its own sake. Without this trait, poets would give up striving for perfection and would write commercial jingles, economists would work for banks where they would earn at least twice as much as they do at universities, and physicists would stop doing basic research and join industrial laboratories where the conditions are better and the expectations more predictable."
Paradoxical or not, what I have learned most is that there is no formula for individual creation. As Mihay says, "creative individuals are remarkable for their ability to adapt to almost any situation and to make do with whatever is at hand to reach their goals." So, more than anything else, what it takes to be creative is resourcefulness and the courage not to give up.

Saturday, March 21, 2015

Plant Impossible Gardens (2.0)

More thoughts in my interpretive series on “How to be an Artist” by Sark
~ Plant Impossible Gardens 2.0 ~
An Impossible Garden will never be done.  

   
We moved into a new construction house last summer so this is Impossible Garden 2.0 for me.  We have a blank pallet to work with so I'm thinking it will take years of playing in the dirt to fill all the spaces I want to fill.  


The landscaping and flower beds will start along the parameter of the house for now, then here and there and then spread to everywhere as plants will be split and shared with friends and they in turn  will share some of their overages with me.  As the garden thrives I will keep making more little areas at the corners, by the mailbox, wherever nature and my budget take me.  



The only shady spot I have now is along the north side of the house which borders a 1 acre retention pond we lovingly call The Bog.  It is filled with sweet grass and cattails, willows and goodness knows what else.  The rest of the yard is sun sun sun until all the trees grow up.  So, as my former house was mostly shade, my thought process and research has now shifted to drought resistant, critter resistant and native plants and shrubs.



The soil is good ol' Wisconsin clay, oh yay, so my veggie garden will be large and small raised beds, a lot of them. And because we now live in an area where the wild life is abundant, including a wonderful herd of deer, we'll be building a 6 foot fence around it, with a lovely trellised garden gate, and a sweet pathway to a magical spot under one of two original trees left standing after all the crazy construction, right by the edge of the The Bog.

So why go into all this about my garden?  It’s life.  We start off with just a bunch of dirt and then slowly add to the landscape of our lives.  What gets overgrown we trim, we share what we don’t need, take chances and expand our spiritual acreage so that we may learn more and grow in self awareness.  Sometimes we have to switch things around as we change with our own seasons and alter what feeds us to get ourselves back into the sunlight.  
We constantly evolve and change and grow.  Though some things will remain the same about you, your heritage and upbringing, those are the seeds of your garden and what you do with it is all up to you.  That knowledge and the experiences you gain on your life path is the freedom, joy and uncertainty of planting an Impossible Garden.  One that is never done.
Blessings to All
Martie

Thursday, November 21, 2013

Railroad Tracks - Past, Present and Future


This article was shared with me by a friend.  Thought I'd pass it along.  It's informative, funny, and head scratching.  You'll understand why as you read on......

 

The U.S. Standard railroad gauge (distance between the rails) is 4 feet, 8.5 inches. That's an exceedingly odd number. Why was that gauge used? Because that's the way they built them in England , and English expatriates designed the U.S. Railroads.

Why did the English build them like that?
Because the first rail lines were built by the same people who built the pre-railroad tramways, and that's the gauge they used.
Why did 'they' use that gauge then?

Because the people who built the tramways used the same jigs and tools that they had used for building wagons, which used that wheel spacing.


Why did the wagons have that particular Odd wheel spacing?Well, if they tried to use any other spacing, the wagon wheels would break on some of the old, long distance roads in England , because that's the spacing of the wheel ruts.

So, who built those old rutted roads?

Imperial Rome built the first long distance roads in Europe (including England ) for their legions. Those roads have been used ever since.

And the ruts in the roads?
Roman war chariots formed the initial ruts, which everyone else had to match for fear of destroying their wagon wheels.


Since the chariots were made for Imperial Rome , they were all alike in the matter of wheel spacing. Therefore, the United States standard railroad gauge of 4 feet, 8.5 inches is derived from the original specifications for an Imperial Roman war chariot. In other words, bureaucracies live forever.

So the next time you are handed a specification, procedure, or process, and wonder, 'What horse's ass came up with this?', you may be exactly right.

Imperial Roman army chariots were made just wide enough to accommodate the rear ends of two war horses.
     

Now, the twist to the story:
When you see a Space Shuttle sitting on its launch pad, you will notice that there are two big booster rockets attached to the sides of the main fuel tank. These are solid rocket boosters, or SRBs. The SRBs are made by Thiokol at their factory in Utah.

                         
The engineers who designed the SRBs would have preferred to make them a bit larger, but the SRBs had to be shipped by train from the factory to the launch site. The railroad line from the factory happens to run through a tunnel in the mountains, and the SRBs had to fit through that tunnel. The tunnel is slightly wider than the railroad track, and the railroad track, as you now know, is about as wide as two horses' behinds.



So, a major Space Shuttle design feature of what is arguably the world's most advanced transportation system was determined over two thousand years ago by the width of a horse's ass.

And you thought being a horse's ass wasn't important!

Now you know, horses' asses control almost everything...explains a whole lot of stuff, doesn't it?


Wednesday, September 25, 2013

Protect Your Peace

Photo by Jason Naudi Photography 

“Have the clarity and courage to not enter every door and to not accept every invitation. Protect your peace.” ~ Thema Davis

Thema Bryant-Davis is a licensed psychologist, poet, dancer, and minister. Dr. Bryant-Davis, an Associate Professor at Pepperdine University, is Past-President of the Society for the Psychology of Women. The North Carolina Arts Council named her Emerging Artist of the Year.

When I first read this quote my initial reaction was "Wow, she summed up in one sentence what others have written entire books about.  

Here's my take.  I don't know about you but saying 'No' is not always the easiest thing to do.  Following your instincts, that gut feeling, is not always simple either.  Sometimes disappointing your family and friends is ugly.  But it has to be done in order to 'Protect your peace'. 

Some of those situations are as simple as not going out on a Saturday night because you're just too tired and just want to be home because you've been working long hours all week and on the go and just have to stop, even though your friends are all gonna be there and it would be a total blast.  

Others are not so simple when you have to weigh the pros and cons and ask yourself if the risk is worth taking and at what cost to your health or livelihood.  Will the long term end result be worth that effort and risk.  

As a business person and musician there have been dozens of opportunities that were offered to me quite often over the years.  Some I took and regretted, some I didn't take and regretted.  Some I took and they turned out fabulously, the ones I didn't and now wished I had, oh well, can't go back and get a redo.

When I first decided to go into business for myself after I retired from my regular job I had no idea that it would take up this much time and this much energy. But I jumped in and said what the heck, I've got nothing to lose really.  I'm glad I did because it's been fun "energy spent and time invested".  I've met amazing people and found out so much more about myself.  It has not sucked anything out of my life, it has only enhanced it in so many ways.  

My regular job was just that, regular.  I had no ambitions to move up in the company with all the added responsibilities and time that I did not want.  I had too many other things going on in my life outside of work that meant way more to me. So when I was offered promotions, some I took because it didn't require anything life changing, others I turned down because they would have disrupted too much and infringed on my 'outside of work' life.  And to be honest, I didn't mind being a worker bee in that situation.  

In the music industry sometimes it's hard to know who to trust.  Even at the local level people will say things and make promises that are only designed for their good not yours.  I learned that the hard way.  I'm sure youth and dreams had a lot to do with those choices.  So it was, for a long time, "Once bitten, twice shy".  And I'm sure looking back now that there were legitimate and honest opportunities I missed because I didn't believe in myself and my own ability to discern fact from fiction.  But once I learned to pay attention to my gut feeling I was able to deem an event or an offer good or bad for me.  

Clarity and Courage come with time.  Once you get through all the youthful emotional characteristics of your personality and realize the world will not come to an end if you decide not to rush around all over because you don't want to miss this or that event, or take a job or band offer every time one is presented only to realize that that job sucks just as much as the last one, and heavy metal music really isn't your thing, or follow your friends off that bridge just because they're your friends (Hmmm...maybe not the best analogy LOL).  But you know what I mean.  

If you are feeling uneasy, exhausted, or feel you are missing something maybe it is your life that is un-easy, your desire to be all and do all that is making you feel exhausted, and maybe it is YOU that you are missing.

Blessings to All

Martie


- I want to thank my friend JBH for sharing this quote -  


Wednesday, May 8, 2013

Furniture Made From Car Parts


25 Creative Examples of Furniture Made From Car Parts

Source: ComplexMag
Talk about Up-cycling........I thought these were very cool

Furniture for the man cave LOL



Source: ComplexMag

Tuesday, May 7, 2013

Friday, March 22, 2013

Bangle sizing guide



BANGLE SIZING GUIDE

This is a quick and easy process, I promise.  I've gathered up some info and taken a picture to help you through it.  Because I sell quite a few different types and sizes of bangles in my shop I thought it would be a really good idea to help you all figure out which size your lovely hands will fit.



    • Make your hand as small as possible bringing
      your thumb and little finger together. 
    • Using the tape measure (or string), measure around your hand and across your knuckles at the widest point (the tape measure should be pulled tight, not loose). Make note of the actual circumference of your hand (if you used string, make a mark where the string meets, then measure the length with your ruler to get your hand circumference). 
    • Compare your hand circumference to the bangle circumference in the below chart. 
These measurements are approximate but it gives you a good idea on where you stand as far as sizing.  I always give the circumference in my descriptions in my shop and also explain how to do this.  




Bangle Size
Diameter in inches


Diameter in mm
Circumference in inches


Circumference in mm


2-4 (XS)
2.25
57
7.06
179.6


2-6 (S)
2.375
60
7.46
189.5


2-8 (M)
2.5
64
7.85
199.4


2-10 (L)
2.625
67
8.24
209.3


2-12 (XL)
2.75
70
8.6
220


Good luck and Happy shopping.
Blessings
Martie